Peter’s Blog

I need to place on record my feeling that overwhelmingly throughout my life, my contact with my fellow men, women and children has been a total delight.
It is a recurring pleasure which I experience each day and is among the precious things which makes my life rewarding and worth living, not least because moments of the keenest enjoyment can as readily occur with a complete stranger as with family and friends.

 


 

A cherished dream, my book   One small place on earth …  discovering biodiversity where you are,   self-published in August 2019, has been long in the making. Jan Watson created its design template nine years ago. The idea of doing a book seems to have occurred during my stay with Clive Tempest, the website’s first architect, when I was visiting the UK in 2006. By the time Steve Guttormsen and I began sustained work on the book in 2017, much of which I had already written, the imperative was to create a hard copy version of a project whose content is otherwise entirely digital.

 

The ‘Film Diary’ entries are selected items from the diary I keep whenever I am filming. To check location references, click on ‘Tamborine Mountain’ on the top information bar then hit the ‘Tamborine Mountain’ button on the map.

Logo

Other / 25.10.2006

I am home after almost two months in Europe combining pleasure with pleasure, eg I extended my stay to attend Wildscreen in Bristol UK, which is billed as the world’s largest, most prestigious and influential event for wildlife and environmental film-makers.

I had a blast. I was able to progress my concept for a documentary series on biodiversity (my pet spin-off project, even if it is the longest of long shots). I brought back follow-up work which will continue to keep me busy for quite some time.

The archive and website were very well received. One consequence is that we have exchanged links with some more good websites. (See Links page).

I also had a couple of excellent meetings with a producer from the BBC Natural History Unit. He won the top award at Wildscreen for Life in the Undergrowth and is working on a new blue chip series. There is a move to increase the interactive component of programmes and although it is early days yet, we discussed my possible involvement in helping viewers create their own video records.

Interestingly, both the Eden Project people… Read Complete Text

Logo

Other / 05.09.2006

Clive and I had a productive meeting with two of the creative team at the Eden Project in Cornwall about a video installation using material from the Archive – another of the spin-off ideas I want to develop.

Eden expressed a desire to do a project with me and we plan to look at a number of options.

One thing I am keen to do is to show people how they can make their own Archives. Eden likes to energise people to do their own thing.

 

Logo

Not The Brisbane Line / 28.08.2006

Have just arrived in the UK and had a most enjoyable interview with a Sorbonne student who is writing a thesis on British performance art in the 60s and 70s.

It’s been suggested that I write about avant-garde art in London in the swinging 60s – and my notorious past. I will, I will, but not just now!

 

Logo

The Brisbane Line / 24.08.2006

My latest piece about environmental protection is published by 'The Brisbane Institute' on its website.

Hans Christian Andersen's story of the Emperor's new clothes is a much-loved classic about hoodwinkery, venality, wilful stupidity, sycophancy, peer pressure, and a refusal to be taken in.

It is, alas, a story which could have been written about environmental protection in South East Queensland outside the region's sparse National Parks.

The line being sold about environmental protection in SEQ by most politicians, bureaucrats, developers, planners and much of the media, grouped in a seemingly monolithic alliance, is the ridiculous notion that development and growth are consistent with preserving the environment.

“THE MAN’S NAKED”

Hans Christian Andersen’s story of the emperor’s new clothes is a much loved classic about hoodwinkery, venality, wilful stupidity, sycophancy, peer pressure, and a refusal to be taken in. It is, alas, a story which could have been written about environmental protection in South East Queensland outside the region’s sparse national parks.

The line being sold about environmental protection in SEQ by most politicians, bureaucrats, developers, planners and much of the media, grouped in a seemingly… Read Complete Text

Logo

The Brisbane Line / 01.06.2006

The following article appears on the Brisbane Line. This is the e-bulletin of The Brisbane Institue, an independent organisation funded by a cross-section of universities, government departments, corporations and individuals. The Institute is a generator of ideas and facilitates discussion.

The common threat to the sustainability of the planet's biodiversity is the impact of Homo sapiens. Nowhere else in Australia has this impact been as pronounced in recent times as in South East Queensland.

It can only become more pronounced with an additional million plus people making the region their home in the next 20 years.

Tamborine Mountain, which has been described as a 'national treasure' has long been a battleground between developers and conservationists.

TAMBORINE MOUNTAIN & REGIONAL PLANNING

Tamborine Mountain is an undulating plateau behind the Gold Coast, at an elevation of 500 to 550 metres, surrounded by a largely uninhabited and heavily wooded  escarpment containing subtropical rainforest. It has more than 1,000,000 visitors a year, most of them from South East Queensland.

The plateau, a maximum 8km long and 4km wide, comprises a complete miniature landscape with three village areas and a… Read Complete Text

Logo

Not The Brisbane Line / 11.04.2006

There is a difference between the Archive and a Natural History documentary film.

'Viewers must recognise that something unfamiliar is on the screen. The Archive is a visual record, not a narrative. It can only be incidentally entertaining . . .'

A VIDEO ARCHIVE IS NOT TELEVISION

Given the ubiquity of television documentaries in general and the popularity of natural history documentaries in particular, I suspect that it will be well-nigh impossible for viewers of the Archive not to be instinctively drawn into the documentary mode of viewing.

But to fully benefit from looking at the Archive in all its rich variety, viewers must recognise that something unfamiliar is on the screen.

The main purpose is to give viewers a sense of what outstanding biodiversity is. This requires them to make a connection between all the Archive’s parts so that they’re aware that one section relates to another already seen, and that indeed all the myriad things they are looking at live in this one small place on earth.

One thing that attracted me was creating a succession of pictures within… Read Complete Text