Peter’s Blog

I need to place on record my feeling that overwhelmingly throughout my life, my contact with my fellow men, women and children has been a total delight.
It is a recurring pleasure which I experience each day and is among the precious things which makes my life rewarding and worth living, not least because moments of the keenest enjoyment can as readily occur with a complete stranger as with family and friends.

 


 

The Film Diary entries are selected items from the diary I keep whenever I film. To check location references, click on ‘Tamborine Mountain’ on the top information bar then hit the ‘Tamborine Mountain’ button on the map.

The Brisbane Line was the e-bulletin of the now defunct Brisbane Institute, to which I contributed the articles featured, between 2006 and 2012.

Not The Brisbane Line contains my other essays from 2005 to the present.

 



A cherished dream, my book   One small place on earth …  discovering biodiversity where you are,   self-published in August 2019, has been long in the making. Jan Watson created its design template nine years ago. The idea of doing a book seems to have occurred during my stay with Clive Tempest, the website’s first architect, when I was visiting the UK in 2006. By the time Steve Guttormsen and I began sustained work on the book in 2017, much of which I had already written, the imperative was to create a hard copy version of a project whose content is otherwise entirely digital.

 

People may wonder why there is little mention of climate change – global warming on my website. There are two related reasons. Firstly, if former Australian Prime Minister Kevin Rudd’s 2007 remark that climate change is the “great moral, environmental and economic challenge of our age” is true, we have not acted accordingly before or since. Rudd’s statement is only true if we collectively live as if it is true, Rudd included. Instead, our politics has wasted decades favouring business as usual, and a global economy excessively dependent on fossil fuels – in the wilful absence of a politics intent on achieving a low carbon economy. Secondly, although it is open to individuals to strive to live the truth of Rudd’s remarks, the vast majority of people, myself included, do not. I salute those who do. The precautionary principle alone makes me regard climate change as a current planetary crisis, but because I have only marginally changed the way I live, and still wish to fly, I am not inclined to pontificate on the subject.

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Film Diary / 20.09.2008

After a break of three months I resumed filming and the first subject which caught my eye was a white flower. On my daily walk I noticed more and more white flowers and so for more than a month I mainly filmed plants with white flowers. Some flowers had entirely white petals, some started off with white petals which later turned blue or pink and some had bits of colour at the base of their petals. As I viewed the tapes towards the end of my white flower spree, I tallied the different plants and came up with more than 50, though I went on to film a few more afterwards. The filming occurred from late September to early November

 

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My Travels / 16.07.2008

As with my 2006 trip, my visit to the UK and Europe had two purposes – to further Sandrine Meats’ Whsht research as well as progressing archive spin-offs (namely video installations based on the archive) and to catch up with family and friends and tour familiar and unfamiliar places.

My trip had two purposes  . . .

 

Purpose One

I met with Sandrine on a number of occasions, twice with artists who took part in Whsht events, and twice with Sandrine on her own. She is doing a marvellous job of documenting and making sense of what we did. One of the meetings was at Carlyle Reedy’s flat. Carlyle is a very fine poet and artist. I had not seen her in 40 years. She looked as I remembered her, but with a beauty that I had not appreciated then. It was lovely seeing her again.

Before setting off on my travels I had emailed a number of people whom I had hoped to meet, though several had not bothered to reply. However I was determined to give my Beauty DVD to the Art &… Read Complete Text

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Other / 02.07.2008

The two parcels I sent via courier, containing the DVCAM master tapes of the published archive, a set of the DVDs, the original revised script and copies of the signed interview releases, have arrived at the National Film & Sound Archive.

It’s taken a long time to reach this point, given that I thought the future of the entire archive was secure in the hands of the State Library of Queensland – even before publication at the end of 2005. A letter dated April 11 from Graham Shirley, Senior Curator, Moving Image, at the NFSA broke the logjam. I await the paperwork to formally conclude the handover of my donation.

 

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The Brisbane Line / 24.06.2008

During the past two years I have contributed a number of articles to the Brisbane Line, the e-bulletin of the Brisbane Institute. Those on environmental topics have appeared in this blog.

Martin Leet, the editor, sent me an email accepting my latest article, Responsibility and Power, which will appear in the July edition of the Brisbane Line. I am fortunate to have this opportunity to occasionally touch on an issue close to my heart.

RESPONSIBILITY AND POWER

In an ideal world power and responsibility would go hand in hand to judiciously guide and shape society. The world is as it is precisely because this does not occur. Power, with its compelling sway over the human ego, is inherently open to abuse. The abuse of power is arguably the deadliest sin. That is why a lofty sense of responsibility needs to accompany the exercise of power.

The mis-match, both between power without responsibility and responsibility without power, is so pervasive it is barely recognised as the tragedy in human affairs that it is, other than in lawless circumstances such as war or arbitrary rule. The examples I cite are commonplace…. Read Complete Text

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Other / 24.06.2008

I received confirmation that the master disc for The Beauty of Overlooked Things (see blog item: 20 March 2008) has arrived at the production company in Sydney. I am having the DVDs made from a glass master. All being well, they will be ready in time for me to take some copies with me when I leave on my overseas trip to the UK and Europe on July 16.

Steve and I spent a hairy week finalising the soundtrack and authoring – only to discover that the presentation had to be completely changed to allow a seamless transition between the 4:3 footage and the widescreen footage. Christina designed some beautiful graphics for the disc print, the insert and the video titles. I want to explore the possibility of creating a video installation of the Beauty series.

 

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Other / 21.06.2008

Sandrine Meats, who interviewed me in London in 2006 for her dissertation on 60s and 70s performance art in the UK, wants to interview me on my next trip to Europe for an article she is writing about WHSHT (see blog 11 July 2007) for a leading French art publication. She is also interested in the essay I wrote on the Light/Sound Workshop at Hornsey College of Art, so I mailed her a copy the other day.

I am looking forward to seeing her again. The first interview was lots of fun, though my memory of events 40 years ago was rather hazy.